The Lady Chapel

These details supplement information provided in the cathedral on the stand Who is the magnificent Lady Chapel named after?

Lady Chapel

Photo by Peter Smith, Newbery Smith Photography

This chapel at the east end of the cathedral is dedicated to the Blessed Virgin Mary, mother of Jesus. It was built at the end of the 13th century, the first stage in the extension and remodelling of the cathedral into its present form of pointed arches, elegant rib vaults and traceried windows.

Lady Chapels hosting an altar for St Mary were a visible expression of a growing cult of the popular saint, whose biblical story was embellished by later accounts of her as a miracle-worker and Queen of Heaven. The dedications of the flanking chapels relate to the biblical narrative. The chapel on the south has an altar for St Gabriel, the archangel who visited Mary to announce to her that she was to give birth to the Messiah, through which she accepted the Holy Spirt that became the son, and manifested the Holy Trinity of God the father, God the son and God the holy spirit. The chapel on the north is dedicated to St John the Evangelist who was often depicted with Mary standing either side of the cross, a reminder that from the cross Jesus declared that John was to care for Mary, as would a son.

During the Reformation in the 16th century, all chapels in the cathedral ceased to be used for worship and were repurposed as vestries or simply abandoned. The Lady Chapel had been unused for about a century when the Civil War brought the abolition of bishops in 1646 and of deans and chapters in 1649. Cathedrals ceased to function. In Exeter, the extreme Puritan city chamber was in charge of the cathedral building which became a venue for non-conformist worship.

The cloisters, where the library was housed, had been transferred into secular hands and demolished probably in 1655-56. Dr Robert Vilvaine, a local physician, rescued the library collections which were at risk. In December 1657, Dr Vilvaine, was given permission by the city chamber to furnish the old Lady Chapel to house the cathedral library.

The library remained in the former Lady Chapel for more than 150 years until it was transferred to the Chapter House in 1820. The Lady Chapel came back into use for worship (as a ‘Morning Chapel’) in 1828, when antiquarianism and the emergence of Catholic tolerance led to the re-introduction of older patterns of use in English churches. It was re-established as a Lady Chapel during the restoration work carried out by Sir George Gilbert Scott in 1871-76. He re-laid the floor which includes roses and fleurs-de-lys, symbols relating to the Virgin Mary.

During the 19th century the windows were filled with stained glass which was shattered when bombs fell nearby on 25 April 1942. The present East window, designed by Marion D Grant, was installed in 1953.

Sir John & Lady Dorothy Dodderidge

In the niches on the north side of the Lady Chapel are monuments to Judge Sir John Dodderidge (died 1628) and his second wife Lady Dorothy Dodderidge (died 1614).

Sir John Dodderidge’s family were from North Devon. He was a very active MP, initially representing Barnstaple (where his father was mayor) and later Horsham in Surrey. He was appointed a Justice of the King’s Bench in 1612, a position which he held until his death. He was nick-named ‘the sleeping judge’ because of his habit of closing his eyes whilst hearing a case! Dodderidge was also interested in history, being a member of the Elizabethan Society of Antiquaries which was founded about 1586.

Sir John married three times. His first wife was Joan Jermyn, daughter of Michael Jermyn, twice mayor of Exeter. Following her death, he married Dorothy Hancock who died in 1614, and in 1617 he married Anne Newman who outlived the judge by 2 years.

Sir John Dodderidge lived much of his life near London and in his later years occupied a substantial mansion near Egham in Surrey, where he died. He also had properties in Devon and through his second wife, Dorothy, acquired Mount Radford, near Exeter.

Lady Dorothy Dodderidge was the daughter of Sir Amias and Lady Elizabeth Bampfield of Poltimore, near Exeter. Her first husband, Edward Hancock MP, was a trusted servant of Sir Walter Raleigh and committed suicide in July 1603 around the time of Raleigh’s arrest. Dorothy was left with their one year old son who remained in the care of Judge Dodderidge after her death in 1614. Lady Dodderidge was buried in the NE corner of the former Lady Chapel where a very grand monument with pillars and a canopy was erected. In his will Sir John expressed the wish that he too should be buried in Exeter Cathedral. He was laid to rest in the retroquire and his monument was set up close to that of Lady Dorothy.

When the chapel was being restored as a Morning Chapel In the early 19th century, the two monuments were dismantled and portions moved into the niches in the north wall. Lady Dorothy Dodderidge’s effigy is particularly fine showing her figured dress trimmed with lace. Sir John Dodderidge is shown clothed in his judge’s robes. The panel on the wall behind his effigy contains odd capital letters forming a code.

Judge Dodderidge's Puzzle

The inscription is of considerable interest as the odd arrangement of capital letters in the bottom lines forms two chronograms for the date of Sir John Dodderidge’s death, which are fun to decipher. Each large capital letter is read as an individual Roman numeral. For example IV is not 4, but 1 + 5.

Line 1:  5 + 100 + 1 + 500 + 500 + 1 + 5 + 1 + 5 + 500 + 10 = 1628

Line 2:  50 + 1 + 500 + 1 + 5 + 500 + 500 + 1 + 1 = 1559
Line 3:  1 + 10 + 1 + 1 + 5 + 50 + 1 = 69
Line 2 plus Line 3:  1559 + 69 = 1628

The puzzle holds a twist: it seems that line 2 was intended as Dodderidge’s birth year and line 3 his age at his death, which adds up to the year of his death. However, evidence indicates that he was born in 1555, not 1559.