Photography Exhibition 2026

Welcome

We hope you enjoy this opportunity to explore the stunning photographs shortlisted for Exeter Cathedral’s 2026 Photography Competition.

In August 2026, after announcing Exeter Cathedral’s official photography competition, the panel of judges received over 300 photographs from photographers of all ages and abilities seeking to capture the theme of light inside the Cathedral’s stunning interior. In September, the judges – including acclaimed Devon photographer Emma Solley, The Very Revd Stephen Waine (Interim Dean of Exeter) and Jacob Hilton (Marketing Manager of Exeter Cathedral) – selected the three winners and six runners-up as part of the Colour, Black & White and Junior categories. The result is nine stunning photographs, each perfectly capturing light in – and telling a story of – Exeter Cathedral from a unique perspective. We are grateful to every individual who took the time to participate in this competition, and we are delighted that it has inspired individuals to pause, and take in the detail of our magnificent, peace-filled, 1,000-year-old building.

This competition has been generously supported by London Camera Exchange (Exeter Store), Exeter College, The Guildhall Shopping Centre, Hotel Indigo Exeter, InExeter, Princesshay Exeter, John Lewis

The Exhibition: 16-31 October

Congratulations to our 2026 finalists, whose photographs are on display in our Photography Exhibition on 16-31 October during standard opening hours, located next to The Lady Chapel. Entry to this exhibition is included in the Cathedral’s admission fee.

To encourage individuals to show their in-person support for our finalists, the finalists’ photographs will only be available to view at the exhibition, and will be published online from Tuesday 3 November.

The Winners

Congratulations to our 2026 winners, whose photographs are on display in our Photography Exhibition on 16-31 October during standard opening hours, located next to The Lady Chapel.

The finalists’ photographs will be available to view online from Tuesday 3 November.

Colour Category: ‘Passage’ by Matthew Cooper (device: Canon R6)

Black & White Category: ‘The King of Musical Instruments’ by Graham Honeywill (device: OM System OM-5 Mark II)

Junior Category: ‘Reflection’ by Isabel Wood (device: iPhone)

Colour Category: Matthew Cooper

“A fleeting moment of exquisite harmony. The woman in a beautiful coat walks away through the luminous hush of the Quire, her figure dissolving into pools of light. Beside her, the model of the ceiling boss and candle in the flowers happen to echo the colour of her coat with almost uncanny precision — as though the scene itself has conspired to place her there. There is something wonderfully cinematic about the image. The solitude of the lit figure, the rhythm of the aisle, the softness of the light and that unexpected meeting of colour. Nothing feels staged, yet everything feels perfectly composed. A beautifully observed photograph that transforms an ordinary passing moment into something quietly magical.”

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Black & White Category: Graham Honeywill

“This remarkable image captures something far greater than the beauty of Exeter Cathedral; it captures its spirit. At its heart stands the cathedral’s magnificent organ, its intricate detail and imposing presence drawing the eye deep into the image. Above it, the resplendent Quire ceiling seems to unfold into infinity, while shafts of natural light pour through the ancient building, creating a breathtaking dialogue between illumination and shadow. The newly installed lights add another dimension, delicately revealing the Cathedra, the Bishop’s throne and illuminating the finely crafted chorister stalls. The composition is masterful. Every line, arch and architectural detail seems to lead the eye onwards, inviting the viewer to explore rather than simply observe. The monochrome treatment is particularly powerful: stripped of colour, the image becomes a study in light itself. Its intensity, its softness, its movement, and the shadows it leaves behind. It gives the ancient architecture and craftsmanship a timeless quality, allowing texture and form to speak with extraordinary clarity. And light is, after all, one of the great storytellers of a Cathedral. It changes with the passing hours: soft and tentative in the morning, brighter and more purposeful as the day unfolds, then gradually fading into the quieter tones of evening. Within a building that has witnessed centuries of worship, celebration, sorrow and contemplation, that ever-changing light feels almost spiritual. This photograph succeeds because it does not merely record a magnificent interior, it makes us feel it. There is grandeur here, certainly, but also stillness, reverence and wonder. The extraordinary level of detail rewards close inspection, while the sweeping composition gives the viewer a sense of being drawn into the very soul of the Cathedral. For me, this is what makes the image the outstanding winner. It demonstrates exceptional photographic skill, but more importantly, it communicates something profound. It transforms architecture into atmosphere, light into emotion, and an historic place into a living spiritual experience. A truly magnificent photograph. Timeless, contemplative and utterly deserving of first place.”

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Junior Category: Isabel Wood

“An extraordinary meeting of architecture and human perception. The magnificent West Front Window of Exeter Cathedral is captured not simply as something to be seen, but reflected within the eye of the person looking upon it. The intimate close-up transforms a familiar architectural detail into something wonderfully unexpected, creating a powerful dialogue between the Cathedral and the observer. The intricate tracery of the window held within the eye becomes a beautiful metaphor for memory, wonder and the act of seeing itself. A highly imaginative and original image, demonstrating remarkable creativity and a sophisticated understanding of perspective. A striking and memorable Junior Category Winner.”

Colour Category: Matthew Cooper

“This photograph explores the way natural light transforms the Cathedral interior during the summer months. The figure walking through the illuminated path creates a quiet moment of discovery, with the contrast between shadow and sunlight revealing the atmosphere and scale of the space. For me, the movement from darkness into light also suggests a sense of hope, reflection and spiritual journey. I chose this image because it captures the relationship between light, architecture and human presence, and the sense of wonder the Cathedral can inspire.”

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Black & White Category: Graham Honeywill

“I like the Gothic feel, the vaulted ceiling, illumination from the suspended lights and choir reading lamps; this contrasts with the natural sunlight from the large side windows, which leads you to the imposing Cathedral organ.”

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Junior Category: Isabel Wood

“I was talking to my mum in the Cathedral and as she turned to me I caught sight of the stained glass window reflecting in her eye.”

The Runners Up

Congratulations to our 2026 runners up, whose photographs are on display in our Photography Exhibition on 16-31 October during standard opening hours, located next to The Lady Chapel.

The finalists’ photographs will be available to view online from Tuesday 3 November.

Colour Category

  • ‘Keeper of Keys’ – by Gregorio Luiz Gomez (device: OM System OM-3)
  • ‘Your Kingdom Come’ – by Steve Bunce (device: Nikon Z9)

Black & White Category

  • ‘Angelic Chorister’ – by Robert Day (device: Nikon D750)
  • ‘In the Shadow of Faith’ – by Toby Spicer (Nikon D800)

Junior Category

  • ‘Reading Light’ – by Isabel Wood (device: iPhone)
  • ‘Figure of Faith’ – by Harry G. (device: Canon EOS 200D)

Colour Category

‘Keeper of Keys’ – by Gregorio Luiz Gomez (device: OM System OM-3)

  • “A beautiful composition, filled with peace and joy at its heart. The many colours of this stained glass window are there to be enjoyed, and this photo leads the eye into the numerous details of the art. What made this photo stand out was the streak of light on the stone. Well done.”

‘Your Kingdom Come’ – by Steve Bunce (device: Nikon Z9)

  • “A fantastic composition with a multitude of hues, almost bursting out the frame itself. The intentional use of a slower shutter speed is very clever, and incredibly artistic. A unique photograph that captured our attention and evoked thoughts of the wonderful light of Christ. Well done.”

Black & White Category

‘Angelic Chorister’ – by Robert Day (device: Nikon D750)

  • “A stunning close-up of this carving, evoking thoughts on the importance of awe, wonder and prayer. The light, almost bathing on the carving, is incredibly peaceful to look at. An emotion-filled composition that causes you to be still and take in the detail. Well done.”

‘In the Shadow of Faith’ – by Toby Spicer (Nikon D800)

  • “The stunning detail of the carvings come to light in this photo due to the intense contrast of light and dark. A superb composition, filled with peace, with the ‘mystery of faith’ at its heart. Well done.”

Junior Category

‘Reading Light’ – by Isabel Wood (device: iPhone)

  • “A beautifully observed photograph that finds a deeply human moment within the grandeur of the Cathedral. The older gentleman, his face full of warmth and quiet curiosity, pauses to study the intricate architectural details and inscriptions before him. The exquisite black-and-white treatment draws the viewer into the scene, allowing the light to sculpt both his expression and the magnificent architecture surrounding him. There is a wonderful sense of connection between the man and the building — one generation contemplating the traces left by those who came before. A thoughtful and accomplished image by one so young, demonstrating an impressive sensitivity to light, composition and storytelling.”

‘Figure of Faith’ – by Harry Greenhough (device: Canon EOS 200D)

  • “The dark silhouette with the light window in the background makes for a beautiful photograph evoking thoughts of the mystery of faith. The photographer clearly has an artistic eye for detail, evident in this photograph. Well done.”

Honourable mentions

Below are the photographs from each category that were shortlisted as the judges’ honourable mentions.

Colour Category

  • ‘Guiding Light’ – by Sam Lloyd-Gale
  • ‘Solo Dios Basta (God alone is enough)’ – by Rachel Borcillo
  • ‘Organ of Joy’ – by Maria Selley
  • ‘The Call’ – by Sally Basker
  • ‘Golden Haze’ – by Abbey Wilson
  • ‘3 Wise Men on a Journey of Faith’ – by Edward Bourne
  • ‘Unfolding Love Bathed in Light’ – by Gail Banham
  • ‘Whispers in the Light’ – by Katarzna Srodecka

Black & White Category

  • ‘A Light In The Darkness’ – by Chelsea Mcleish
  • ‘Light across the Gothic Vaulted Ceiling’ – by Malcolm James
  • ‘Fan-tastic Vaulting’ – by Mark Goatman
  • ‘Liberty to Practise’ – by Harvey Jones
  • ‘Luminous Geometries’ – Nicos Georgiou
  • ‘Illumination’ – by Graham Honeywill
  • ‘Keeper of the Fallen’ – by Gregorio Luiz Gomez

Junior Category

  • ‘Light through sacred glass’ – by Dylan F.
  • ‘Where Light Meets Silence’ – by Dylan F.
  • ‘Rays of Gold’ – by Evan L.
  • ‘Golden Bloom’ – by Adam L.
  • ‘Where the sun paints the floor’ – by Evelyn C.
  • ‘Wings beneath the arches’ – Will B.
  • ‘Light’ – by James J.